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# Midlife Director's Block
- URL: https://www.thesecretscreening.com/midlife-directors-block/
- Published: 2026-08-21T16:01:07.000Z
- Updated: 2026-08-21T16:47:09.000Z
- Author: Aaron Hillis
- Tags: Weekly Picks, Theatrical Picks, Music Picks, Film Industry Tips & Anecdotes

![Now Playing](https://storage.ghost.io/c/86/6b/866b2bfd-593e-41db-b4ad-b0afa3293fe4/content/images/2026/05/now-playing-NEW.gif)

****HOW TO DIVORCE DURING THE WAR** (2026, dir. Andrius Blaževičius)

Lithuanian filmmaker Andrius Blaževičius' Sundance-winning dramedy **How to Divorce During the War** is a bitterly comic portrait of brittle relationships and bourgeois complacency that reminded me of *Force Majeure*. Just as a Vilnius family's breadwinner (Žygimantė Elena Jakštaitė) chooses the worst possible moment to inform her stagnating filmmaker hubby (Marius Repšys) she's bored in their marriage, Russia's invasion of Ukraine goes full-scale. He moves in with his propagandized Russophile parents and she self-righteously quits her job to take in Ukrainian refugees, escalating the film's entertaining critique of Europe's moral fatigue through public solidarity and private selfishness. 

📽️

***How to Divorce During the War** (Zeitgeist/Kino Lorber) opens today in NYC at [IFC Center (Q&As this weekend)](https://www.ifccenter.com/films/how-to-divorce-during-the-war/?ref=thesecretscreening.com), and in [Los Angeles on August 28](https://www.laemmle.com/film/how-divorce-during-war?ref=thesecretscreening.com). For more cities and dates, [click here](https://zeitgeistfilms.com/film/how-to-divorce-during-the-war?ref=thesecretscreening.com#playdates).

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****BLOOD SHINE** (2025, dir. Emily Bennett & Justin Brooks)

Leveling up the scale and aesthetics of their low-budget psychological horror *Alone With You*, filmmaker duo Emily Bennett & Justin Brooks' psychosexual chamber chiller ***Blood Shine*** is a more literal, visceral version of the "filmmaker blocked by his own complacency" tale. When a profoundly arrogant director (David Call) retreats to a remote cabin to jumpstart his next franchise installment, he's taken captive by a religious zealot (Bennett) who claims her sadistic basement rituals will elevate him to godhood. A hypnotically shot two-hander built on unpredictable menace and surprising tenderness, this folk-horror indie is (unlike Gen Z) not afraid to be horny.

🍿

***Blood Shine** (Dark Sky Films) opens today in NYC at [Cinema Village (Q&As this weekend)](https://www.cinemavillage.com/Now-Playing/blood-shine.html?d=20260826&ref=thesecretscreening.com), and is also [now available on VOD](https://linktr.ee/bloodshine?ref=thesecretscreening.com).

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![Now Listen (icon of a guitar, cassette, vinyl record, headphones, microphone and an amp)](https://storage.ghost.io/c/86/6b/866b2bfd-593e-41db-b4ad-b0afa3293fe4/content/images/2026/05/now-listen-NEW-1.gif)

****Rapsody:** "God Gotta Afro (ft. KARABO YA MORENA)" (from ****"God Gotta Afro & Gold Hoops"**)

One of hip-hop's sharpest pens (with collaborators like Kendrick Lamar and fans like Barack Obama), Grammy-winning emcee **Rapsody** expands her lyrical precision to a soulful, dense, image-rich meditation on Black identity, womanhood and self-love. Inspired by the whitewashed gospel music she encountered during a trip to Ghana, the North Carolina rapper's anthemic title track for **"God Gotta Afro & Gold Hoops"** finds divinity in satirical declarations ("Look just like my momma's momma's momma's momma's continent"), while other tracks call out hypocrisy, urge the shedding of ego, and celebrate Afrofuturism—including a George Clinton collab paying tribute to jazz mystic Sun Ra.

🎵

****"God Gotta Afro & Gold Hoops"** (We Each Other x Roc Nation) drops today on [vinyl](https://shop.iamrapsody.com/products/god-gotta-afro-gold-hoops-2lp-vinyl-golden-luxe?variant=51689371074858&ref=thesecretscreening.com), [CD](https://shop.iamrapsody.com/products/god-gotta-afro-gold-hoops-cd?ref=thesecretscreening.com), [Apple Music](https://music.apple.com/us/room/6803762811?ref=thesecretscreening.com), [Spotify](https://open.spotify.com/album/0gG1dUh2HWF3QChNNp9qGm?si=tD08bKhWSECmTUAeV4lqkQ&ref=thesecretscreening.com), [TIDAL](https://tidal.com/album/552279941?ref=thesecretscreening.com), [Qobuz](https://www.qobuz.com/us-en/album/god-gotta-afro-gold-hoops-rapsody/m8qhjuohy90id?ref=thesecretscreening.com), [Amazon Music](https://music.amazon.com/artists/B0012B63VQ/rapsody?ref=thesecretscreening.com), and more.

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![Just One More Thing... (icon, illustrated, of Peter Falk as Columbo)](https://storage.ghost.io/c/86/6b/866b2bfd-593e-41db-b4ad-b0afa3293fe4/content/images/2026/05/just-one-more-thing-NEW.gif)

**Consider a Title Change.** Forgive me the high-falutin' authority here, but a film title is a promise. It’s the first thing your audience sees, setting the expectation for their viewing experience. I was recently consulting with filmmakers whose one-word title made their project sound like a gritty thriller or revisionist Western. But the film itself is a quiet, character-driven drama about guilt and reconciliation. The protagonist could have stepped out of a John Ford movie, but the story's emotional register is closer to a 1970s antihero character study. A title doesn't need to be a full synopsis, but it should signal the genre and tone you're delivering. If it's too ill-fitting, it creates a mismatch that leaves audiences feeling confused or misled... and if it's too generic, you'll be lost forever in search-engine results.

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